I am interested in the ways we objectify nature, both positively and negatively. The dancing, happy pigs
used as icons for BBQ joints and meatpacking plants have always struck me as deeply ironic. Plastic
animals take us for rides in theme parks and animated versions sell us products. Nature comes to us, viewed
through glass windows at the zoo, natural history museum or framed on television. Likewise, the
photograph objectifies the world as seen through the lens of the camera.

We visit natural history museums for a glimpse of our natural world, a world we often do not experience
first hand. We view animals from far off places and times at a safe distance. Dioramas (and photographs)
create a framed moment of nature frozen in time. The more closely they resemble an actual space and
event, the more closely the taxidermied animals appear to breath life, the deeper our sense of wonder and
connection.

It is this dichotomy between the real and the unreal, the version of life portrayed and the actuality of death,
the inherent beauty of the animals within their fabricated environment and the understanding of its
invention, that finds me both attracted and repelled.


Diane Fox is an Instructor in the College of Architecture and Design at the University of Tennessee in
Knoxville where she teaches graphic design and photography. Fox received her MFA degree from The
University of Tennessee in1992 and her BFA degree from Middle Tennessee State University in 1986. Her
current body of photographic work, "UnNatural History", is composed of images shot in various natural
history museums and taxidermy shops in the US and Europe. Her work has been exhibited in the Erie Art
Museum, Erie, PA; Tower Fine Arts Gallery, SUNY Brockport, Brockport, NY; Santa Reparata Gallery,
Florence Italy; Apex Gallery, South Dakota School of Mines and Technology, Rapid City, SD; Erie
Museum of Art, Erie, PA; Santa Reparata Galleria, Florence, Italy; Sarratt Gallery, Vanderbilt University
Nashville, TN; and Dom Muz Gallery, Torun, Poland.